Epilogue brings together three paintings conceived as a triptych, centered around a pivotal moment: Before the End, At the End, and After the End.

This series does not seek to represent the end as a spectacular event, but as a state in transformation.

In Before the End, the tension remains contained: movement slows, light is held back, allowing a silent anticipation to emerge, heralding a rupture to come.

At the End is located at the point of contact. Forces meet there, matter asserts itself, without any immediate resolution being offered.

With After the End, movement recedes. Space opens up, elements cease to oppose each other and find a new form of balance.

The end is neither a disappearance nor a conclusion.

It marks a transition: a moment when something ceases, so that a new balance can appear.